Henryk Siemiradzki
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La philosophie de l’art pour exprimer les rites étudiants?
The art philosophy greatly affects the study of student aggregation rites, with special reference to artist-commandant RoSWeLL, who deviates his works from common artistic values. The text explores three paradigms of philosophical aesthetics: Greek, Medieval, and Enlightenment, each contributing to the understanding of art beauty. It suggests that art now prioritizes emotion over proven technique…
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L’approche immersive
The text presents a research approach where an artist/researcher needs to understand the motivations behind a subject’s behaviors, not just their interactions or actions. By referring to Nathalie Heinich’s work, the text suggests that an sociological understanding can emerge from recognizing actors’ discussions as realities. Whether the research work pertains to art or social sciences…
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Au-delà des limites
The article explores the absorption of Dionysian rituals into the Orphic religion of 6th century BC Greece and how these traditions migrated into Christianity and medieval festivals, losing their wildness. It traces the cultural evolution from myth-based rites to contemporary practices, ultimately likening these historic rituals to modern student initiation ceremonies, symbolizing life, death, and…
‘Anat, Adam et Eve, agrégation, alcool, allégresse, alliance, Ampélos, Ariane, Ashérat, Athènes, étudiant, Baal, Bacchus, Baubô, Bákkhos, Belzébuth, Cambrinus, Carthage, Chant des étudiants wallons, Charles Deulin, chrétienne, Christ, comédie, corona, Démeter, diable, Dieu, Dimuzu, Dionysos, dithyrambe, drame satyrique, Eden, Egypte, El, exode, féminisme, Flandrine, François Rabelais, Gambrinus, Gavarni, goliardia, goliards, hubris, hybris, Iambé, Icarios, Inanna, Inde, Iran, Ishtar, ivresse, Jupiter, kneipe, Liber Pater, Osiris, paganisme, plaisirs, Prométhée, résurrection, roi de la bière, romantisme, sabbat, sacré, Saint-Esprit, satyre, Sémélé, silènes, soin, Thésée, tragédie, Vénus, vie/mort/vie, vigne, vin, viticole, wallon, Zeus -
La pédagogie des limites
Dionysos/Bacchus is shown as a complex deity symbolizing dichotomies of life and death, wisdom and madness, and more. His presence in rites enables introspection and self-judgment beyond societal limitations. He’s closely associated with artists and modern arts. The text implies a shift from Dionysos to Prometheus in the Greco-Roman pantheon, advocating the value of moderation…
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En marge de l’étude sur Dionysos
Dieu et Bacchus. Noé Partage d’un article publié le 28 janvier 2018 https://histoiresduniversites.wordpress.com
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L’approche de la folie
The text explores the historical initiation rituals of students, which echo elements of Greek mythology and antiquity. These rituals involve embodying animalistic elements, playing with elements of madness, and the transformation of chaos into order to induct new members into the university community. It also addresses the role of these customs in maintaining social order…
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L’approche de la sexualité décomplexée
During Eleusinian rites, Dionysos is depicted with an oversized phallus, representing fertility. This depiction is traced back to various earlier deities like Inanna (also known as Ashérat or Ishtar), the goddess of femininity, and Baal, a masculine counterpart and symbol of fertility. This correlation between femininity and masculinity in mythology elucidates the prominence of sexual…
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L’approche de la féminité
The text discusses Dionysus and his relationship with deities Demeter and Bacchus, highlighting their special links to humans and earth. It recounts the story of Demeter’s daughter Persephone’s abduction by Hades, causing Demeter to withhold her blessings which left the earth barren. Different versions of the story are explored, along with the teachings of Demeter…
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L’approche du spectacle vivant
« Dionysos, seen as a god of boundaries, is often labeled an outsider due to his exotic influences from Egypt, Iran, and India. He is credited with the evolution of cult practices into literary and musical genres through the dithyrambe. Various theatrical forms, including the satirical drama, comedy, and mask theater, are associated with Dionysos, aiding…
agrégation, alcool, allégresse, alliance, Ampélos, Ariane, Athènes, étudiant, Bacchus, Bákkhos, Belzébuth, Cambrinus, Chant des étudiants wallons, Charles Deulin, chrétienne, Christ, comédie, corona, Démeter, diable, Dieu, Dionysos, dithyrambe, drame satyrique, Egypte, exode, Flandrine, François Rabelais, Gambrinus, goliardia, goliards, hubris, hybris, Icarios, Inanna, Inde, Iran, ivresse, Jupiter, kneipe, Liber Pater, Osiris, paganisme, plaisirs, résurrection, roi de la bière, sabbat, sacré, satyre, Sémélé, silènes, soin, Thésée, tragédie, Vénus, vie/mort/vie, vigne, vin, viticole, wallon, Zeus -
Dionysos révélé par la nature
Dionysos, conceived by Sémélé or potentially Perséphone or Déméter, symbolizes the union of earth and sky, a link between mortals and gods. His life, marked by death and rebirth, reveals a journey where he sows spirits with myths and transforms gender norms, elevating femininity. These narratives mirror ancient goddess Inanna’s saga, interlinked with fertility, love,…
agrégation, alcool, allégresse, alliance, Ampélos, Ariane, Athènes, étudiant, Bacchus, baptême, Bákkhos, Belzébuth, bizutage, Cambrinus, Chant des étudiants wallons, Charles Deulin, corona, Démeter, diable, Dieu, Dionysos, diplôme, Dumuzi, exode, féminité, Flandrine, François Rabelais, Gambrinus, goliardia, hubris, hybris, Icarios, Inanna, ivresse, Jupiter, kneipe, Liber Pater, masculin / féminin, Osiris, paganisme, Perséphone, plaisirs, résurrection, roi de la bière, sacré, satyre, Sémélé, soin, symbolique, Thésée, travestissement, université, usinage, Vénus, vie/mort/vie, vigne, vin, viticole, wallon, Zeus